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Technical Hurdles Suggest Extensive Z-Film Alteration Highly Unlikely
#91
Michael Cross Wrote:
Charles Drago Wrote:
Michael Cross Wrote:
Jim Hackett II Wrote:The one with the complicit treason of the Praetorian Guard.....leaving no doubt as to who done what to whom.

Given the number of well versed researchers here (and well respected - by this poster), I'm curious: How credible is the existence of the "second version" film? I'm assuming most of us will never have the opportunity to view such a thing, and wondering how anyone is so privileged as to get a look.

I am personally acquainted with three individuals of unimpeachable character who have viewed versions of the Z-film other than that which is commonly accepted as authentic and has been viewed publicly since the 1970's. Each was intimately familiar with the historic Z-film prior to viewing a different version of it.

I take them at their word and trust the acuity of their perceptions.

Why were they chosen to view alternate Z-film versions (and for the record: since each did so alone, we have no way of knowing how many altered versions exist)? My best guess is precisely because they are all but universally trusted and respected within the honorable JFK research community, and because they could be expected to speak/write publicly of their experiences, and because their claims would implicitly support the Z-film doppelganger gambit that continues to Balkanize said community and thus prolong doubt.

Thank you Charles. The enormity of this alternate film virtually overwhelms my thinking. Allowing such a thing to exist, to be seen by a few, is so malicous it falls beyond my understanding - at least at this point.

You're entirely welcome.
Charles Drago
Co-Founder, Deep Politics Forum

If an individual, through either his own volition or events over which he had no control, found himself taking up residence in a country undefined by flags or physical borders, he could be assured of one immediate and abiding consequence: He was on his own, and solitude and loneliness would probably be his companions unto the grave.
-- James Lee Burke, Rain Gods

You can't blame the innocent, they are always guiltless.  All you can do is control them or eliminate them.  Innocence is a kind of insanity.
-- Graham Greene
Reply
#92
Magda Hassan Wrote:Jeff's qualifications are more than adequate to discuss the Z film. They are far better than most. As far as I can see in the thread he states that some alteration was possible but extensive alteration was highly unlikely. {snip}.

Yes his qualifications are Magda.... yet please read into WHY he feels extensive alteration is unlikely.... and then see if those ideas are supported or even supportable.

It does not seem to bother you that he cannot address even one of the key questions to defend his conclusion
that a variable speed in the fps, due to a spring, would result in VISUAL DIFFERENCES IN THE FILM - i.e. the Greer head turn.
(if all you are referring to is the matte work DH supports, fine, I happen to think that did not happen given the time line and it still does not excuse Jeff from addressing question about his ideas)

He makes that assertion repeatedly... I could care about his politics or tactics at this point... he only needs to back it up, or understand that he cannot be taken seriously - Just cause he claims to have experience in the area.

I offered the math which shows a 12/10,000th of a second difference PER FRAME over 100 frames at a slower fps speed - if the camera filmed the entire sequence SLOWER than it should have been.
He claims these changes are enough to affect 3 frames. 36/10,000th of a second difference in fps over 3 frames would create the visually impossible movement of Greer's head.
The fps would have to drop to 9fps for the film to have missed all of the movement we see between 302 and 304... Basic Math Magda.

I also offered the logical opposite of his conclusion... speed variance cannot only be SLOWER fps, but also FASTER for this wacky spring that cannot unwind linearly...
For at least one series of frames the spring was moving FASTER than 18.3, meaning MORE FRAMES PER SECOND which equates to Slow motion... (48fps being true 1/3 slow motion)

If the spring only SLOWS to LESS than 18.3, it could not AVERAGE 18.3. There MUST BE as many frames above 18.3 to create the weighted average.
I simply asked that he point out in the film where we see action in Slow Motion as we see the FAST MOTION in 302-303-304 .

There's no worries in admonishing long time members, respected researchers and EXPERTS in their field for repeatedly trying to elicit some idea of why he posts facts that are wrong and unsupported conclusions that defy logic.

Yet there is no reciprical request that he explain himself...

He also mentions 16fps to 48fps artifacts would be seen... when I mentioned that these frames, if they did exist, would also be removed with the alteration...
That 302-304 cannot be accomplished in the manner he suggests - and rather than understand such limitation...
all we get is SPRING-MECHANISM and FPS inaccuracies...


The most obvious sign of something amiss with a poster is usually a refusal to address requests to explain oneself.
To illustrate the ideas which are repeated yet never explained.

You all would not take it from JF when he dove off the deep end and refused to address questions of inconsistency with the presentation...
a man with infinitely more qualification/resourcess to explore the possibilities and tangents than many of us

Mr Carter helped with the 50 reasons... Kudos - this should then RAISE the expectations for his posts and the expectation of accuracy...
If this was something given extensive thought - why such a hard time offering an explanation for FPS and SPRINGS ??? Why use Straw man tactic to change the subject rather than address the questions?
Why so many inaccuracies in his posts... the he proudly proclaims he will "stand behind everything he's posted" yet sidesteps even the slightest nudge

He states definitively that from Z1 to Z486 the film is authentic... Don't know about y'all, but that's a pretty BIG statement to make here of all places... without some well developed argument in your behalf.

Yet no one other than Charles and David and I has even attempted to get a reason from him, ask a question of him...
So much concern for the protection of this person who by Jim's admission should be able to easily defend himslef with facts, figures, examples or point to one of the 50 episodes...

Something other than:

Quote:That said, I stand by most everything I have said on any post. All of the points I listed at the beginning of this thread are repeated, and with greater clarity and detail, by Zavada in his 'Open Letter".

David also denies that there was any NPIC analysis of the Zapruder film. He did not ask for a citation, preferring to again attack my credibility on this issue. But this analysis is discussed right in the Introduction to McKnight's "Breach Of Trust". I mentioned it not because I am an arrogant bullshit artist, but because I assumed that you already knew about it.

What Jeff actually posted:
Might the CIA's reluctance to admit interest in the Z-film have anything to do with the report the NPIC presented on Nov 25 which stated there were at least two shooters?


Quote:

John Simkin asked McKnight specifically this question: http://educationforum.ipbhost.com/index....topic=5226

(2) On page 6 you point out that after analysizing the Zapruder film for the CIA, the National Photographic Intelligence Center (NPIC) concluded: "First, the first shot at the motorcade had not come from the sixth-floor "sniper's nest" where Oswald had allegedly secreted himself. Second, there had been at least two gunman in Dealey Plaza shooting at the motorcade". You add: "The results of NPIC's analysis of the Zapruder film were suppressed."

Did you discover who was involved in suppressing this evidence? Did the House Select Committee on Assassinations see this report? Did G. Robert Blakey include it in his report? What do you think of Dale K. Myers' work on the Zapruder film. Supporters of the Warren Report seem to be now very reliant on Myers' research.

Posted 03 November 2005 - 06:39 PM
McKinght's Answer:
2. I never saw a Commission document that indicated it ever was familiar with the NPIC results of the Z film examination. A month or two after the WC Report became public the CIA requested from the FBI a loan of the Z film so the agency could use it for training purposes. I think this was to cover the fact that the CIA had made copies of the film borrowed from the Secret Service over the weekend following the assassation. The FBi request was just ass-covering scheme. I might point out that the FBI's analyis of the Z film also concluded that the first shot came before Z 210, that is at about Z170, before a shooter in 6th floor had access to JFK (my emphasis). I think we'll come to a time when it will be agreed that there were at least 6 shots fired that day. Probably three shots fired just before Altgens famous photo.

My source on the Z film is Dave Wrone's seminal work. I am looking forward to Richard Trask's work on the Zapruder film to be released soon. The title I think is "National Nightmare. . . . .something"


The ONE report that has surfaced - is CIA450.... does not conclude anything of the sort, nor was it dated Nov 25th... A pile of assumptions does not equate to proof....

http://www.maryferrell.org/mffweb/archiv...elPageId=4 NPIC ANALYSIS OF ZAPRUDER FILMING OF JFK ASSASSINATION(CIA450 pages)

If there was a NPIC report that STATED there were at least two shooters, as opposed to illustrating how the scenario the SS decided upon was not necessarily possible... while the FBI decided the shots were at 224, 313 and 375 (I do not know what report McKnight is referring to here...) the FBI in the months after the assassination concluded the following and graphically created it PRIOR to January 20th 1964:

I'd be interested to see the FBI conclusions about a shot BEFORE 224... which contradicts the time, effort and accuracy they built into this model and the report that accompanies it... which ALSO was never shown to the WC and was burried in a WCD called:

Commission Document 298 - FBI Letter from Director of 20 Jan 1964 with Visual Aides Brochure

http://www.maryferrell.org/mffweb/archiv...ocId=10699

[ATTACH=CONFIG]5188[/ATTACH]




Stating as FACT that a report existed from the NPIC about two-shooters is again...

If there was a report from the NPIC from the 25th, as opposed to the report and boards created by Dino on the 23rd/24th which indeed gives the impression of two or more shooters... please post it...
McCone was in the room with LBJ on the 24th with Dino and Arthur L. The boards are gone, the rpoerts are gone.... If the NPIC offered a report about two shooters on Nov 25, it is surely gone to history... The NPIC was not supposed to have had the film at all that weekend... the CIA denied it although the NPIC was a joint CIA/DoD creation.... the CIA 450 pages - help suggest something may have gone on that weekend... Horne's work and the Dino and Homer interviews proves it.

This comment MAY be a result of the Dino Boards McCone saw...

On December 9, 1963,
Arthur M. Schlesinger, Jr., advisor to President Kennedy, met with RFK and asked him what he thought about his brother's assassination. As Schlesinger wrote in his diary, published in 2007:
"I asked him, perhaps tactlessly about Oswald. He said there could be no serious doubt that he was guilty, but there still was argument whether he did it by himself or as a part of a larger plot, whether organized by Castro or by gangsters. He said the FBI people thought he had done it by himself, but that McCone thought there were two people involved in the shooting." [Emphasis added](Journals 1952-2000, p. 184).


Bottom line - I take this very seriously... I search and compile and read and compare and search more and ask and confirm and include it as part of my understanding of the case...

When someone comes along making statements that conflict with this knowledge base, I DO NOT ASSUME they are wrong... I assume I may be wrong and would like to understand the reasoning behind this difference.

My approach may not be as polished as others... but I go out of my way to include sources, images and back-up to what I post and EXPECT to be questioned about it, EXPECT to have it torn apart expecially if I am making a statement that goes so against the grain of research to this point.

How about enough tiptoeing around Jeff's "rights" here and start promoting the expectation that posting here requires some level of support to one's stated "facts"...
whether he is US or THEM will bear out in time...

avoiding the questions, posting inaccuracies and refusing to discuss WHERE one is coming from is NOT the way to go about it...

my .02
DJ


Attached Files
.jpg   fbi and Zapruder.jpg (Size: 597.81 KB / Downloads: 17)
Once in a while you get shown the light
in the strangest of places if you look at it right.....
R. Hunter
Reply
#93
Jan Klimkowski Wrote:
Charles Drago Wrote:
Michael Cross Wrote:
Jim Hackett II Wrote:The one with the complicit treason of the Praetorian Guard.....leaving no doubt as to who done what to whom.

Given the number of well versed researchers here (and well respected - by this poster), I'm curious: How credible is the existence of the "second version" film? I'm assuming most of us will never have the opportunity to view such a thing, and wondering how anyone is so privileged as to get a look.

I am personally acquainted with three individuals of unimpeachable character who have viewed versions of the Z-film other than that which is commonly accepted as authentic and has been viewed publicly since the 1970's. Each was intimately familiar with the historic Z-film prior to viewing a different version of it.

I take them at their word and trust the acuity of their perceptions.

Why were they chosen to view alternate Z-film versions (and for the record: since each did so alone, we have no way of knowing how many altered versions exist)? My best guess is precisely because they are all but universally trusted and respected within the honorable JFK research community, and because they could be expected to speak/write publicly of their experiences, and because their claims would implicitly support the Z-film doppelganger gambit that continues to Balkanize said community and thus prolong doubt.

Michael - in addition to Charles' comments, please see the DPF thread dedicated to this topic.
[URL="https://deeppoliticsforum.com/forums/showthread.php?9480-Rich-DellaRosa-talks-about-the-Other-Zapruder-film.&highlight=zapruder"]
Rich DellaRosa talks about the Other Zapruder film[/URL]

I had EXTENSIVE email exchange with yet another who saw the 'other film' and their report was essentially the same as that of Rich and the others. One can question if it is 'real' in the sense of accurate, but it does seem to be out there and IMHO comports more with the evidence than does the 'Z-film', leading me to believe it is the untampered with version. N.B. the person that detailed to me what they saw in the film was [and likely still is] involved in intel, with some very big players of the time and places related to the Big D. [no, not Plumlee] I related this on Rich's forum long ago. I also trusted Rich highly - a man of great integrity who I can't imagine inventing the story of the 'other film'.
"Let me issue and control a nation's money and I care not who writes the laws. - Mayer Rothschild
"Civil disobedience is not our problem. Our problem is civil obedience! People are obedient in the face of poverty, starvation, stupidity, war, and cruelty. Our problem is that grand thieves are running the country. That's our problem!" - Howard Zinn
"If there is no struggle there is no progress. Power concedes nothing without a demand. It never did and never will" - Frederick Douglass
Reply
#94
Peter Lemkin Wrote:I had EXTENSIVE email exchange with yet another who saw the 'other film' and their report was essentially the same as that of Rich and the others. One can question if it is 'real' in the sense of accurate, but it does seem to be out there and IMHO comports more with the evidence than does the 'Z-film', leading me to believe it is the untampered with version. N.B. the person that detailed to me what they saw in the film was [and likely still is] involved in intel, with some very big players of the time and places related to the Big D. [no, not Plumlee] I related this on Rich's forum long ago. I also trusted Rich highly - a man of great integrity who I can't imagine inventing the story of the 'other film'.

Peter - thank you for sharing.

You are a researcher we can trust implicitly, and when you choose to withhold an identity, we can respect your decision absolutely.
"It means this War was never political at all, the politics was all theatre, all just to keep the people distracted...."
"Proverbs for Paranoids 4: You hide, They seek."
"They are in Love. Fuck the War."

Gravity's Rainbow, Thomas Pynchon

"Ccollanan Pachacamac ricuy auccacunac yahuarniy hichascancuta."
The last words of the last Inka, Tupac Amaru, led to the gallows by men of god & dogs of war
Reply
#95
My mind boggles.

I have the "Twilight Zone" movie with Dan Ackroyd looping in my mind: "Wanna see something really scary?"
Reply
#96
According to Doug Horne there was about a 12 hour time frame in which to make alterations of the film at Hawkeye. What alterations could be done in 12 hours? It seems to me what we see in the Z film today, is pretty much what Life received from Hawkeye, that Sun. in time for their early editions to be prepared. While a lot could no doubt be done in the time the film was withheld from the public, it doesn't appear to have been done. I wonder if it was possible to remove evidence of a limo stop in 12 hours. Would it have been possible to remove evidence of two head shots, a rear blowout, and rear brain spatter in that time frame?
Reply
#97
http://www.mejuba.com/albums/jfkass/1129...w/original

Filmed at 48 Frames Per Sec.

Frame removal pattern is keep 2 , discard 3. A 60% reduction.

Playing at approx 18 fps.

chris
Reply
#98
Chris Davidson Wrote:http://www.mejuba.com/albums/jfkass/1129...w/original

Filmed at 48 Frames Per Sec.

Frame removal pattern is keep 2 , discard 3. A 60% reduction.

Playing at approx 18 fps.

chris

Great to hear from you Chris....

Now, Keep 1 and discard 2 and play at 16fps...

The ratio of 48/18.3 is obviously not 3.... To have a smooth film, 48fps less 2/3rds the frames shown at 16fps should be smooth, and identical to the same scene filmed at 16fps.

IS images intact and everything.

Cheers
DJ
Once in a while you get shown the light
in the strangest of places if you look at it right.....
R. Hunter
Reply
#99
Gordon Gray Wrote:According to Doug Horne there was about a 12 hour time frame in which to make alterations of the film at Hawkeye. What alterations could be done in 12 hours? It seems to me what we see in the Z film today, is pretty much what Life received from Hawkeye, that Sun. in time for their early editions to be prepared. While a lot could no doubt be done in the time the film was withheld from the public, it doesn't appear to have been done. I wonder if it was possible to remove evidence of a limo stop in 12 hours. Would it have been possible to remove evidence of two head shots, a rear blowout, and rear brain spatter in that time frame?

This is pure sophistry:

sophistry [ˈsɒfɪstrɪ]
n pl -ries
1. (Philosophy)
a. a method of argument that is seemingly plausible though actually invalid and misleading
b. the art of using such arguments

Not all of the alterations we note today need to have been accomplished in a 12-hour time frame.

And we have no real idea of the sophistication of equipment available to the plotters in 1963.

There was no need in 1963 to remove evidence of a limo stop that would not become the subject of controversy for over a decade -- at least.

If the hypothesis that alterations were made to be discovered -- a much more sound and convincing deep political argument than any you've yet to proffer -- your entire argument is rendered moot.

Insofar as you did not view the film received at Hawkeye, on what basis of fact do you make your "it seems to me" and "it doesn't appear to me" declarations?

Correct me if I'm wrong, but this isn't your first "seems to me" rodeo, is it, pod'ner?

https://deeppoliticsforum.com/forums/sho...sis/page18

Gordon Gray Wrote:I have to wonder how these sponsors managed to get on the same page as to the goals of this plot. Did they meet in some clandestine gentlemen's club per the film Executive Action? It seems to me that the sponsors were a disparate group with varying agenda's in relation to an assassination. Wall Street wanted to keep the Federal Reserve and most likely the business coming from a policy of opposing wars of liberation. Big Oil wanted to keep the Oil depletion allowance. Right wing extremists wanted an end to the Civil Rights movement and the commie Kennedy. The military right wanted Cuba and a confrontation with the Soviets because they believed they could wipe them out and end the cold war. The intelligence community wanted to oust Castro and stop the importation of wars of liberation in Latin America. The Mob wanted payback for Joe Kennedy's betrayal and back into Cuba for drugs prostitution and gambling interests. If they were all of one mind, why was Phillips still pushing the Oswald Mexico City thing even after the formation of the Warren Commission? [emphasis added by Drago]

When in response to this all-but-unfathomable reasoning I reproduced, in full, the Evica-Drago Model for the JFK conspiracy, you came back thusly:

Gordon Gray Wrote:The facilitators are very clear to me as are the mechanics. [emphasis added by Drago]

Well then clear it all up for the rest of us so we can fold up our tents and go home.
Charles Drago
Co-Founder, Deep Politics Forum

If an individual, through either his own volition or events over which he had no control, found himself taking up residence in a country undefined by flags or physical borders, he could be assured of one immediate and abiding consequence: He was on his own, and solitude and loneliness would probably be his companions unto the grave.
-- James Lee Burke, Rain Gods

You can't blame the innocent, they are always guiltless.  All you can do is control them or eliminate them.  Innocence is a kind of insanity.
-- Graham Greene
Reply
David Josephs Wrote:Great to hear from you Chris....

Now, Keep 1 and discard 2 and play at 16fps...

The ratio of 48/18.3 is obviously not 3.... To have a smooth film, 48fps less 2/3rds the frames shown at 16fps should be smooth, and identical to the same scene filmed at 16fps.

IS images intact and everything.

Cheers
DJ

Hi David,

http://www.mejuba.com/albums/jfkass/1129...w/original

Keep 1 discard 2.

Playing at 15fps.

chris
Reply


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