04-10-2008, 11:11 AM
Jack White Wrote:3. If someone other than Will wrote it all, why did he choose to remain anonymous? Was Will a fictitious character? Surely not, since he seems to have been a public figure and producer of plays at the Globe. I can fathom no reason for an author of such acclaimed works to disavow them. How was Shakespeare chosen, and why did he accept the role? It is against human nature for anyone to hide such talent.
Jack
[my bolding]
"Hiding one's talent under a bush" aka writing under a pseudonym/anonymously is an old and well established activity when it comes to esoteric adepts. And Bacon was certainly that. Besides this his work is liberally peppered with cloaked clues about is real identity.
We also have to consider that he was a royal prince of the blood and so was restrained by his position and by his mother in public matters.
For doubts about the authorship of Shakespeare's Sonnets see:
http://www.sirbacon.org/Sonnet/intro.html
note the curious punctuation of the dedication page of the Sonnets which some consider to be a code.
Note also the hyphenated name "Shake-Speares" hinting at the cloaked name of Pallas Athena/Minerva, the "spear shaker".
I also would wish to dismiss any question that this is a conspiracy theory. Many, many scholars and others have openly spoken on this question.
http://en.wikipedia.org/wiki/Shakespeare...p_question
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Authorship doubters
For authorship doubters, evidence that Shakespeare of Stratford was merely a front man for another undisclosed playwright arises from several circumstantial sources including perceived ambiguities and missing information in the historical evidence supporting Shakespeare's traditional candidacy for authorship. In this regard, doubters cite the fact that there are large gaps in the historical record of Shakespeare's life and no surviving letter, written to or by him, is known to exist. His three-page will lists no books, diaries, plays or unpublished manuscripts, and makes no mention of the shares in the Globe and Blackfriars Theatres that he supposedly owned.
In addition doubters assert that the plays require a level of education (including knowledge of foreign languages) greater than that which Shakespeare is known to have possessed. They also cite the following: circumstantial evidence suggesting the author was deceased while Shakespeare of Stratford was still living; doubts of his authorship expressed by his contemporaries; plays that he appeared to be unavailable or unable to write; ciphers and codes asserted to be hidden in the works that identify another author; and perceived parallels between the characters and events in Shakespeare's works and the life of the favoured candidate, with a particular emphasis on the author's familiarity with life in the Elizabethan court.
On September 8, 2007, acclaimed British actors Derek Jacobi and Mark Rylance unveiled a "declaration of reasonable doubt" on the authorship of Shakespeare's work, after the final matinee of I Am Shakespeare, a play investigating the bard's identity, performed in Chichester, England. The "declaration" named 20 prominent doubters of the past, including Mark Twain, Orson Welles, Sir John Gielgud and Charlie Chaplin. The document was sponsored by the Shakespeare Authorship Coalition and has been signed online by over 1,000 people, including 200 academics, to encourage new research into the question. Jacobi, who endorsed a group theory led by the Earl of Oxford, and Rylance, who was featured in the authorship play, presented a copy of the document to William Leahy, head of English at Brunel University, London.[5]
Unquote
The shadow is a moral problem that challenges the whole ego-personality, for no one can become conscious of the shadow without considerable moral effort. To become conscious of it involves recognizing the dark aspects of the personality as present and real. This act is the essential condition for any kind of self-knowledge.
Carl Jung - Aion (1951). CW 9, Part II: P.14
