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Celluloid Doppelganger: Why the Zapruder Film's Authenticity Can Be Argued
#25
Jack,

The Bilderberg bit is yours, not mine.

Perhaps you'll recall the previously detailed Evica/Drago plot structure, which I reproduce below in condensed form:

SPONSORS -- The all-but-bulletproof powers who ordered the murder.

FACILITATORS -- In multiple levels, from main designers and organizers (few) to trusted lieutenants, all the way down to handymen/false sponsors.

MECHANICS -- The murder and E&E teams.

Your "very deep players" are my Sponsors.

Your "operational level" is my Facilitator level.

Producing and maintaining and enhancing the "cognitive dissonance" of which I write was part of the original plot design and is part of the on-going operation to support what I term "the lie." All of this was not invented for Dealey Plaza, but only adapted from much older efforts and disciplines.

And so it goes ...

Charles
Charles Drago
Co-Founder, Deep Politics Forum

If an individual, through either his own volition or events over which he had no control, found himself taking up residence in a country undefined by flags or physical borders, he could be assured of one immediate and abiding consequence: He was on his own, and solitude and loneliness would probably be his companions unto the grave.
-- James Lee Burke, Rain Gods

You can't blame the innocent, they are always guiltless.  All you can do is control them or eliminate them.  Innocence is a kind of insanity.
-- Graham Greene
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Celluloid Doppelganger: Why the Zapruder Film's Authenticity Can Be Argued - by Charles Drago - 21-01-2010, 07:26 PM

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